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Hannibal Crosses the Alps: Crisis and Triumph

Read the passages first. This lesson refers to the numbered passages the exam sets, in the edited Latin and English the board publishes. They are not printed here. Read them in the exam board’s free booklets for Livy: Hannibal crosses the Alps: the prescribed text and the student booklet.

By Passage E of Livy’s narrative, Hannibal has already slipped past the Roman fleet at the mouth of the Rhone and marched east with help from friendly Gallic tribes. Livy now turns to the Alps themselves. He admits that rumour tends to exaggerate uncertain dangers beyond the truth, but seeing the mountains close up was still a shock. He piles up grim, concrete details: crude huts perched on bare rock, and cattle and pack animals he calls torrida frigore — ‘shrivelled with cold’. Since torrida normally describes something scorched by heat, pairing it with cold cleverly forms an oxymoron, making the freezing conditions feel almost impossible to survive.

Key Fact

In Passage E, Livy describes the Carthaginians’ first close sight of the Alps: snow-capped peaks seeming to merge with the sky, unshaven and unkempt local men, and animals and objects alike stiff with frost. The wordplay animalia inanimaque — ‘living things and lifeless things’ — works because both Latin words share the root anima, meaning life.

As the column began climbing the first slopes, mountain tribesmen suddenly appeared on the heights above, ready to ambush the marching soldiers. Livy delays revealing who is responsible for the danger until the very end of the sentence: erigentibus in primos agmen clivos apparuerunt imminentes tumulos insidentes montani — ‘to those leading the column up to the first slopes, there appeared, looking over them and posted on the heights, men of the mountains’. Inside the phrase in primos agmen clivos, the word agmen (the column) is wedged in the middle of the phrase describing the slopes, an example of hyperbaton that mirrors the surprise of the attack: readers, like the soldiers, only discover the threat at the last moment. Luckily for Hannibal, the tribesmen had posted themselves in full view on the heights: Livy notes that had they hidden in the more concealed valleys and rushed out suddenly, they would have inflicted huge slaughter and panic.

Passage F opens with the memorable phrase nono die in iugum Alpium pervenerunt — ‘on the ninth day they reached the summit of the Alps’ — after days of wandering caused either by the guides’ trickery or by the soldiers’ own distrust of those guides. Exhausted men rested for two days on the summit, then pushed on through snow so deep that desperatio in omnium vultu emineret — ‘desperation showed on every face’.

To rally his demoralised men, Hannibal climbed ahead of the column to a vantage point and pointed out Italy and the plains of the river Po below. He told them they were already crossing the moenia — a word meaning both the defensive ‘ramparts’ of the Alps and the ‘walls’ of Rome itself — and promised that cetera plana, proclivia fore — ‘the rest would be level, downhill’. Livy drops the usual connecting word ‘and’ between the two adjectives, an example of asyndeton that makes the promise sound crisp and confident — even though, as the next passages show, Hannibal was not telling the whole truth.

Passage G is printed in English only in the prescribed narrative, so no Latin is set from it, but it describes the single most dangerous moment of the crossing. The army reached a cliff path so steep that even a lightly armed soldier could barely climb down it by clutching at bushes and stumps. A recent landslide had torn away part of the path, leaving a drop of almost 1,000 feet. The cavalry stopped, convinced the road had run out, and reported to Hannibal that the cliff was impassable.

Hannibal inspected the site himself and realised the column would have to go around over completely untrodden ground — but that route hid its own trap. Old, hard-packed snow lay underneath a new, softer layer. The leading infantry crossed easily on top of it, but once thousands of men and animals had trampled the surface, everyone behind them broke through into slippery, melting slush. Men slid, fell, and found nothing to grab onto, since there were no roots or stumps left; pack animals crashed through the ice completely and became trapped.

Passage H returns to Latin. With men and animals worn out to no purpose, Hannibal ordered a new plan: cut a path through the solid rock itself. Livy uses an ablative absolute to describe the preparation — arboribus circa immanibus deiectis detruncatisque — ‘with huge trees round about having been felled and stripped of branches’ — before the wood was piled up and set alight. Once the rock glowed red hot, the soldiers poured on vinegar, described in another ablative absolute, infuso aceto — ‘with vinegar poured on’ — which made the scorched stone crumble so that iron tools could open a path wide enough even for the elephants.

Key Fact

In Passage H, Livy tells us quadriduum circa rupem consumptum — ‘four days were spent around the cliff’ — while the pack animals nearly starved on the bare peaks. After the path was finally cut, the army needed only triduo — three days — to descend ad planum — ‘to the plain’ — reaching gentler ground that matched the milder character of its inhabitants.

Style questions expect you to spot a device, quote the Latin precisely, and explain the effect it creates — never one without the others. Use this list to test yourself on devices found across Passages E to H:

  • Oxymoron — torrida frigore (‘shrivelled with cold’) pairs a heat-word with cold to make the freezing conditions feel unbearable.
  • Hyperbaton — in in primos agmen clivos, the word agmen is wedged between primos and clivos, delaying the reveal of the ambushers to build suspense.
  • Asyndeton — plana, proclivia (‘level, downhill’) drops the word ‘and’ to make Hannibal’s promise sound quick and certain.
  • antithesis — visu quam dictu foediora (‘more dreadful to see than to describe’) balances two rare verbal forms to intensify the horror of the scene.

When you write about Livy’s style, always follow the same three steps: name the device, quote a short piece of Latin with its translation, and explain exactly what effect it creates on the reader. A common error is to translate perfect passive participles such as deiectis detruncatisque as if they described an action still happening — they actually mean ‘having been felled and stripped’, an action already completed before the main verb. Precision like this, in vocabulary and in grammar, is exactly what separates a strong comprehension answer from a vague one.

Practice Questions

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